Wednesday, 5 October 2016

The Inbetweeners, Ben Palmer (2011)


The Inbetweeners, Ben Palmer (2011)


In the opening scene of The Inbetweeners, the viewers get a chance to meet the four characters (Will, Jay, Simon and Neil). These four main characters each represent a different representation of a teenage boy stereotype. Will represents the socially awkward and geeky stereotype, Jay represents the hormone crazed one, Simon represents the obsession with girls and Neil represents the brainless and simple minded/ carefree. Each of these stereotypes is backed up with the use of different film techniques. This could persuade the target audience of teenagers to watch the film as they will most likely have someone to relate to.
 

For Simon, the sound of tears is heard and we see him crying on his bed after he gets dumped by his girlfriend, also he doesn’t cry until he is alone – this could represent the stereotype of men not wanting to show their emotions. Jay’s scene consists of many sexual noises and one final shot of him without any clothes on. These sounds are very comedic (especially towards the target audience) and will therefore attract them. There is only a bit of music in the opening scene and it is quite similar to the music which teenage boys are shown to listen to in other films/forms of media. Will and Neil don’t have much to back up their representation through sound, they do however in the way of camera shots. Another example of this is within the Mean Girls trailer where the main character’s mum is crying onto the main character’s shoulder. This could be relatable to teenagers who have overprotective parents and works well together with the use of the voice-over.

Once all of the characters have been met, the title of the film is shown. This is quite simple and could represent the simple-mindedness of Neil. It also has a cloudy backdrop which could suggest that teenage boys have their heads in the clouds and are unaware of the real world. This could attract an audience because of its simplicity and sparking the viewer’s curiosity, however I believe that this would be quite unlikely. The Mean Girls’ title is also very simple but is a purple colour with a small amount of pink. Pink and purple are commonly associated with girls and as such would be effective at attracting the film’s main audience.

 

The camerawork is a very important aspect for attracting the audience and creating the characters. The best example of the camerawork defining a character is with Will where one of the first scenes is a close-up of his face which reveals a character who looks incredibly nerdy and follows the stereotypes of what a geeky character should look like (Spotty, glasses and not very attractive). This also works for Neil as a close-up of his face shows that he isn’t the smartest person which is backed up by the shot of him dropping his cup as soon as the clock changes - to signal that his work shift is over - and the mid shot of him kissing his girlfriend. However, it is because of this that the audience becomes so enticed to watch the remainder of the film – they instantly feel connected to the characters. The very first scene is a high angle/panoramic shot showing the area where the boys live. This may also attract the audience because it shows that they are not too different from the target audience. The camerawork in the opening scene of Mean Girls is not very exciting as 90% of the camera-shots are close-ups and mid-shots to show the emotion on the character’s faces which range from confusion with the main character to excitement with the geeky girl and stupidity with the poor family.

The quick editing between shots of characters makes it a lot easier to meet and connect with the characters as we are able to skip between them quickly and get a deeper understanding of what their life is like. To contrast the quick cuts between shots, the scenes with will contain quite a few long takes which show the different emotions which come over on Will’s face. This is especially relevant when his dad begins kissing Wills, step-mum (who he did not know was his step-mum until a few seconds prior). Altogether this adds a slightly more comedic element to scenes which should be quite boring or disturbing in theory. This is also shown in the opening scene of Mean Girls where the main character is part of a voice over explaining to the audience how difficult it is to start something new when people instantly relate you to a certain stereotype associated with the situation (in this case, moving to a public school after being home-schooled). The comedy comes in to play when scenes of over-exaggerated home-school stereotypes appear on screen.

In conclusion, the main way that The Inbetweeners tries to attract an audience is by relating to its target audience through many different ways, but mainly using representation to make its characters appealing to almost everyone it is aimed at and to show that they are not too different.

Timeline and changes over time of teen angst films

Timeline and changes over time of teen angst films
 
Timeline

Footloose     1984     Herbert Ross

Sixteen Candles     1984     John Hughes

Mischief     1985     Mel Damski

The Breakfast Club     1985     John Hughes

Can’t Buy Me Love     1987     Steve Rash

Loverboy     1989     John Micklin Silver

Clueless     1995     Amy Heckerling

Mean Girls     2004     Mark Waters

Easy A     2010     Will Gluck

The Inbetweeners     2011     Ben Palmer
 

Changes over time

Throughout the years, the genre of Teen Angst has changed a lot. A major example of this is the fact that the older films were more associated with teenagers and their feelings towards the opposite gender whereas nowadays a lot of them are to do with social status and where the characters fit in in their environment which is - more often than not – a school. The setting has remained fairly consistent throughout the years the genre has been around, but there have still been some different settings including: foreign countries for example.